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My YouTube video this weekend is all about spouts… from pulling them, good ways to practice, optimal rim thickness and even how you can use butter to fix how one pours in a dire situation. I even demonstrate a few other shapes of spouts that are outside of my repertoire, to give a better sense of the breadth of styles. As always, you can watch the fully narrated film via the link in my Linktree! I also preface this film with the fact that making spouts is likely my weakest skill when it comes to making pots. I learn more about them every time I make them and producing videos like this helps even more, as I have to inspect my technique and think about ways of conveying skill and how to make a lip that pours neatly, which frankly, is a real challenge. Thanks for watching!
01:02This isn’t the first time this has happened. Accidentally stepping on the wheel’s pedal seems to be a yearly occurrence, although miraculously this bowl survived unscathed, it just needed a tiny bit of correcting on the foot where it was bashed from being slung against the tray. Here’s another bowl, this time made with a coarse red stoneware body that, as you can see, I didn’t quite wedge properly, although the only remnant of pink lies in the foot and will eventually be hidden by glaze. I start by refining the inside, scraping the walls, straightening the rim section and making the interior a lovely smooth curve. Then I tackle the outside, with steel tools mainly, as I’m still a little worried about using tungsten carbide blades with this gritty body, but I’m sure they’ll survive. Most of the form is left relatively rough, as I don’t burnish it, but I do smooth the very bottom of the pot, the base, the part that will make contact with the table, as ultimately, I’d rather it didn’t scratch wood if dragged across a tabletop. My maker’s mark goes in, supported from either side so it doesn’t deform the foot, and that’s the vessel finished, for now. I’ll sling some plastic sheeting over it and let it dry slowly for a few days before letting it turn fully bone dry, whereupon it can be biscuit fired to 1000ºC. #fail #blooper #blooperreel #pottery #ceramics #clay
00:57I’ve always wanted to try this, and no, this isn’t an advert for the butter. Not everything I make works and spouts can be notoriously tricky things to get right and this is one way to deal with the problem, albeit definitely not a permanent solution. In a way, this short video is a teaser for my longer YouTube film that’s coming out this Sunday that’s all about making spouts, how to do it, good methods of practice, how to fix common errors and how to slather butter on pots, not that this really needs a tutorial… Narrated for added flavour, would you folks like hearing my voice more on this platform, or do you prefer that I save if for my longer format films on YouTube? #butter #satisfying #pottery #functionalpottery #fail #asmr
00:33Considering how coarse this red stoneware is, it trims beautifully. The clay tears in a spiralling fashion, especially in the centre of the foot-well and the gritty texture makes for a very tactile vessel, to a degree where I’m considering to leave this bowl unglazed. It’ll be fired to cone ten, so the body will vitrify, the particles of clay, the platelets, fusing so much that water can no longer enter the body. I ditch my tungsten tools for gritty clay like this, does anyone else do that? I’ve had some opposing comments on YouTube about it. I’ve always been advised not to use tungsten carbide trimmers with very coarse clays, I even have one tool that has a tiny chip out of the blade, but I can’t be sure whether that occurred when trimming, or when I placed the tool back in the box and the metal collided with another tungsten blade. Either way, since then, trimming coarse clay means using the cheaper, steel tools, which I can achieve the same finish with, it just takes longer. I say this a lot, but purchasing expensive trimming tools won’t make you a better turner. I think it has more to do with your practical ability and skill, as a competent trimmer can use relatively blunt tools and achieve the same level of finish, it’s about how you use them. The main thing that’s affected is the time it takes to trim, as these steel tools carve through the clay slowly and impart more pressure on the vessel itself, meaning you could distort the shape of the pot if you’re pressing in too firmly. Yet, at the same time, tungsten tools come with similar difficulties. They tend to catch more, chatter, if you make a mistake and gouge too harshly the pot will be decimated and if you drop the trimmer on the floor, well, there’s a chance it’ll shatter. I like both, both have their uses and both remain strong implements in my trimming arsenal. #stoneware #satisfying #pottery #ceramics #handmade #potteryvideos
01:11This week’s YouTube video shows the first steps of a new clay and glaze test with metal, bronze, inclusions. It’s a follow-up from my last round of experiments where I discuss a potential idea that produces a more subtle result. If you’d like to find out more, and watch some mixing of clays, throwing and trimming, you can find the link to the full video via the Linktree in my profile’s biography. In my previous round of tests, the bronze filings ended up dominating the pale green crackle glaze, making it appear somewhat ill-ridden, specked in blots of blood red. The idea is to use this new coarse red stoneware clay, (PF 690), with a crimson clay and with the metal wedged into the body. The copper red flashes produced by the bronze are practically the same colour as the glaze, so they should appear scattered quietly across the surface and with the addition of the red clay, that fires to crimson-brown, they should make for some rather new and interesting vessels. Yet, it’ll be a while until these pots are fired, as I’ve just concluded a reduction firing cycle, so consider this a little tease, a film to get the ball rolling. Thanks for watching! #clay #glaze #stoneware #potteryvideos #ceramics #oddlysatisfying
01:27Does anybody else use their thumb like this to smooth the inside base of their pots? Beyond that, let’s address the smashed cup at the start, bait to get to watching, maybe, but it’s also been a while since I’ve thrown these light cups and this occasionally happens when I try to lift up too much clay at once, the seam around the base splitting. It’s quicker just to destroy it and move onto the next lump of clay. These cups are thin vessels. Thrown from 190 grams to about 9 cm tall and wide, give or take. This will be a handless batch, a form I haven’t made for a while now, but sometimes I don’t feel like handling every cup I make and sometimes a vessel is nicer for being able to clasp your hands around it and to feel it’s base. I use clay that’s a touch on the hard side for these, as it makes lifting them off the wheel without distorting somewhat easier. If you’re using very soft clay, or stuff that’s really smooth, it can only make this process more difficult as the stickier material means the clay releases from your hands less neatly. Trimming will be next, a quick skim of the walls and a hollowing out of the foot, to create a shallow, decorative well. #wheelthrownpottery #handmade #clay #fail #blooper #pottery
00:55I forgot how messy this stuff is… Coarse red stoneware, the same clay I used to mix a lot of during my apprenticeship with Lisa Hammond, for her pots. It’s a rough, toothy clay, and throwing it isn’t the most pleasant experience, it feels as if the grog is sharper than other bodies I’ve used, but once the walls have been saturated somewhat, and drawn up to be relatively thin, it throws like normal. It should, with any luck, fire to a dark crimson tone and this bowl is made from only this red stoneware, whereas the pots you’ll see later in this video, at the end, have been mixed down with a smoother body, making them much easier to throw, that’s the subject of my upcoming YouTube video in fact. You might have noticed more clays popping up in my feed this year. It’s something I’ve wanted to do now for a while, expand the range of clays I use, whilst sticking with the same handful of glazes, this way it’s the stoneware that changes the colours of my glazes, not the glazes themselves. All of which should lead to a more varied body of work. #stoneware #clay #pottery #ceramics #wheelthrownpottery #studiopottery
00:48I apologise for the utterly horrendous noise at the beginning of this video, but rest assured, stay with me and everything will come together, eventually. If you’ve been following along for a while now, you’ll know exactly what this process is, but for those new readers and watchers, this is how I grind the lids of my jars smooth after being reduction fired to 1290ºC. No matter how much I burnish the clay when it’s leather hard, once fired the clay shrinks and pre-fired particles in the body don’t. This means that what was smooth, becomes rough, and thus lids that did fit nicely, now don’t. So, I use Chemico valve grinding paste to sand away those coarse specks. It can also grind the clay itself away, if the rim or lid have warped in any way. The carborundum suspended in grease is then washed away using very hot, soapy water, and then I can relish in their glassy smoothness. It’s worth knowing that I only ever use this on bare clay. It’s never applied on glaze. Also, a curved jar? I almost can’t believe my eyes. #asmr #oddlysatisfying #ceramics #pottery #handmade
00:38This week’s YouTube video explores a new, very angular shape, in the search for forms to add to my repertoire — as always, if you’d like to watch a longer, fully narrated version of this short teaser, you can find a link to it in my profile’s biography. The vase in question angles out at the waist dramatically, yet I don’t set that distinct point until near the end, after the vessel is 95% of the way there, as once a sharp-corner like this is made, moving or fixing it can be surprisingly tricky, and the bulbous shape can rapidly become off-centred. So instead, I leave that section curved, this way I can make adjustments as needed without committing. I’ve also included some simple graphics in this film, which you’ll see an example of in this video, to give you an idea of the shape I see in my mind as I’m pulling the walls up. Thanks for watching, as always, I hope these videos are useful! #wheelthrownpottery #handmade #potteryvideos #oddlysatisfying #pottery
00:57Most of my pots need very little clean up after being fired. A quick once over with diamond pad tends to do the trick, with a final polish with some very fine sandpaper. Even though the feet of my pots are burnished to be very smooth at the leather hard stage, once fired, the clay recedes around the coarse, pre-fired particles of grog, revealing them. Sometimes they’re rough enough to cause damage to a tabletop if the vessel is spun or dragged across it, hence the grind all my pots receive as they come out the kiln. The bowl this short video focuses on might be my favourite piece from my last firing. It has a multifaceted exterior with a lustrous black iron oxide interior, yes, this pot was twice fired, due to a mistake of mine whereupon some glaze on the interior was too thin. The metal hides it well and the dark-green done on the outside becomes lovely and molten, with verdant gradients forming on the outer sloping walls. It’s a keeper, for now. #pottery #metallic #reductionfired #tableware #designermaker
00:28TODO LO QUE TENGO QUE HACER🥺 TE UNO A WASSAP SI ME PASAS ESTE VIDEO POR INSTA: CARXLOSC #fyp
00:23TODO LO QUE TENGO QUE HACER🥺 TE UNO A WASSAP SI ME PASAS ESTE VIDEO POR INSTA: CARXLOSC #fyp
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